Landscape Pictures by Richard Young
Rome Roman ruins are fascinating, imagining people 2000 years
or so ago enjoying the sunshine just as I did when I stood next to the
ruins in Rome. In the late summer evenings, the traffic noise calms down
and the flood lights that the city place provide interesting shadows and
colours on the columns of the ruins.
Sanctus In 1995, I visited South Australia where I grew up. North
of Clare, traveling towards the Flinders Ranges, I came over the hill and
entered a large valley with a wheat field on the plain at the bottom. This
image is the reoccurring memory of this day, hot and windless.
23x31cm Rough Arches
The vinyards of Cognac Traveling to Cognac is a wonderful sight, repeating patterns of vines reaching into the distance. This is late evening following a fairly heavy thunderstorm that left the evening air clean and the sunset very yellow.
Bouches des Rhône The colour of the Med is so profoundly blue in the southern light. I had been in Marseille where there was an exhibition of artists that regularly used to holiday in the area in the 20's and 30's (Matisse, Picasso etc). We took the boat out to the island in the bay and this is the view towards Hyeres.
North West Wiltshire I love the division between the inactivity above the
horizon and the activity below the horizon especially near the end of the
day when the clouds disappear and the heat of summer is still present.
Bath, The Royal Crescent The historic Royal Crescent at Bath is painted and
photographed by tourists at all times of the year. A small group of
artists who studied at Queen's Road in Bristol met at the end of the
academic season on Thursday evenings and did landscapes. This image is one
of three executed. It has the quality of an oil and a lovely textured
surface.
Cornwall Coast Richard Parkes Bonington had been central in my mind when
I was painting this image. Often Bonington places a hard horizon and
paints using Paynes Grey and a mauve violet. The rough paper and the
absorbency of the paper sort of excited me. In the end, the painting has
many opens where no paint is used.
Tetbury
Tetbury
is a lovely Cotswold market town. Artists have portrayed the town as
tourists see it. Could I challenge the traditional view? I recalled
Piper's images of historic churches and cathedrals that eventually must
derive from the colour beginnings of JMW Turner.
All images on this website are copyright © 1977-2004 of Richard J S Young |